The Lucky Lad

adventures in dysthymia

Tuesday, January 09, 2018

Ethnicity in 'The Way of Wizardry'

Though I do not dwell on it, I describe my wizard and wizardess, Im and Na, in ‘The Ways of Wizardry’ as having dark skin and curling blond hair. Genetically, they and the people of their city Hirstel are essentially aboriginal Australians. The Tesrans, whose city and nation they seek, derive from the same stock, long separated. The blond hair thing does crop up among those of that genetic background and in the isolated city of Hirstel it had become universal.

The god Xido is not exactly of any ethnicity, being, after all, a god. He, too, I described as dark or as black. As are his pantheon’s primary worshipers, Xido is more-or-less Melanesian. Or, we might better say, he looks Melanesian — when he doesn’t turn into a crocodile. Although none of his people play a role in ‘Ways,’ they are know as the Bazu and are referred to as occasional visitors (and sometime pirates).

The Ildin are vaguely Mediterranean or Mid-Eastern. I see them as having a quite varied heritage, as do most populations in their part of the world. There is some Iranian (in the broadest sense) ethnicity involved but certainly others as well. The lighter-skinned ‘Charcha’ (who later become the Sharshites of my Donzalo books) are also a mixed lot but might include Greeks among their ancestors, along with many other groups.

All this stems from the idea that all human ancestors in that world came from other planes, the bulk of them from this world of ours. There are two ‘gates’ leading from ‘here’ to ‘there,’ one in the South Pacific — through which only boats are likely to pass — and the other somewhere in the vicinity of the Ural Mountains. This latter is likely to have admitted only one or two individuals at a time, over thousands of years, so we do not have any large-scale entry of one ethnic group or another there. In the Pacific, not quite so — a boat might carry several people and the Mora are recorded as having arrived in nine large canoes. However, passage would be a lot less frequent occurrence in the middle of the ocean!

In both instances, it requires a manifestation of physical power to pry the ways open, such as a large storm. Not everyone came in that way, of course; those were just the two easiest doors to the world. Some of that is explored in the novel.

This leaves only the Dwarfs. Well, we know what dwarfs are like, right? Mine are sort of that way and sort of not. From a genetic standpoint, they are somewhat diminutive descendants of the Neanderthals. So I described them as such; we have a fairly decent idea as to Neanderthal appearance these days, thanks to having their genome sequenced. Light skinned, some of them redheads, stocky, heavy brow, and every bit as bright as other humans. Or as stupid, sometimes.

So that is it. Of course, it is a big world and there are plenty of other populations elsewhere, developing in their own ways, sometimes mixing and merging, building cultures, borrowing ideas and languages from their neighbors. Just as in our own world.

Tuesday, January 02, 2018

Festival Murder Mystery

I must work up one idea or another for the mystery-set-at-a-folk-festival novel I’ve been planning to write for some time. Originally, I thought to set it at the Florida Folk Festival the year it was thick with smoke from forest fires (2001) but I folded that into my Cully Beach series, to appear as an element in the third book (probably to be titled ‘Smoke’). That works with the chronology of the series as well as its overall concept.

And I couldn’t really see a good way to work a murder into the events of that weekend! So I came up with another scenario, set at an old resort hosting a festival down in the southwest part of Florida. Lots of possibilities there and I came up with a number of variants on characters and crimes. But I ended up cannibalizing that setting into another novel (to be published under a pen name so I won’t talk about it here). It was just too attractive a creation to use for this. And there were, again, some problems wrapping to wrap a plot around it.

Now, I’m a little closer but still trying on different stories and settings. The story is going to revolve around a couple, one law enforcement, the other a musician and/or artist. Haven’t absolutely decided which is which! The guy will probably be of Florida ‘cracker’ background (though I’ve considered Cuban too), the woman mixed heritage, with hippie parents (probably craftspeople who will show up at some of the fests). And the setting of the first book (which is tentatively titled ‘Broken Strings’)? It will be a festival named ‘Strings at the Springs,’ but I have not quite decided where ‘Twin Springs,’ the venue, is located. Up near Gainesville, like Ginnie Springs, maybe? Or further south? I don’t want our protagonists living too far apart if they are going to become involved!

And, of course, there is the crime itself. I’m not going to attempt to baffle anyone. I don’t do convoluted, hard-to-solve mysteries. A break-in and robbery masked by the festival is most likely, but what is worth stealing there? I’ve also considered something hidden in the springs, but that could be retrieved anytime, couldn’t it? (But it’s a good place to dispose of a murder weapon!)

Oh well, I’ll keep thinking on it and something might pop up soon or it might take some time, and I’ll write other stuff first. I certainly have enough projects ready for my attention! I tend to look these over, hoping to come up with ideas; sometimes one will just stand up and say, “This is how it will go. Write me!” So I do. The others can wait their turn.

Count On Me, a song

Count On Me

I have ten fingers and ten toes,
so you can count on me!
Two arms, two legs, but just one nose,
yes, you can count on me!

Tally up each body part,
list them, put them on a chart;
just remember that my heart
always belongs to you!

I have two eyes to see your smile,
so you can count on me!
Two feet to walk that extra mile,
yes, you can count on me!

I’ve all my parts, I can attest,
and in this I have been blessed,
but that one heart in my chest
always belongs to you!

Stephen Brooke ©2018

A little song-thing. It would surely become tedious if I attempted to stretch the idea to more lines.

Monday, January 01, 2018


World-building — it is a part of all fantasy, all speculative fiction. In fact, all fiction, period. Every story is set somewhere, after all. But it is more obvious in fantasy and science fiction.

So where are the roots, the origins, of the worlds I have built? I was ever the sort as a kid to create scenarios for my friends. Or for myself. These borrowed from many sources and perhaps got a a bit supercharged when I discovered Edgar Rice Burroughs! But I was never the sort to set my imaginary adventures in other folks worlds, though I was certainly influenced by Burroughs, Doyle, Tolkien, and loads of others.

I became moderately obsessed with prehistoric man fairly early. Neanderthals showed up in some of those scenarios of mine (and maybe ape men and varied ‘savages’). I had a thing for ancient India, too, for some reason. But none of those imaginings gelled into later world-building (though I know they influenced it).

The actual ‘birth’ of it all I can set to a couple years later, maybe when I was thirteen, fourteen — a little more sophisticated. It was essentially a shipwreck and castaway thing, a lifeboat to — where? A strange and different world. Not an alternate Earth thing, exactly, not yet, but more of a hidden world in the Burroughs tradition. I can honestly say that my six books in the Malvern and Mora series started there. I actually kept the map I had drawn up at the time, and adapted that.

But then there was the apocalyptic thing — post-nuclear war, maybe (I varied on the concept), and set pretty much where I lived in my teen years, southwest Florida. This one I did develop, and continued to develop, into a somewhat complete history. And, over time, it underwent fairly radical changes, the most important being that I moved it all out of our world. I created a universe of my own and messed around with it for a long time, without ever attempting to write much in the way of fiction based there. A few rather bad stories — I wasn’t ready yet.

Inevitably, the ‘castaway’ world was drawn into that one. All the fantasy (well, most of it) now draws from one cohesive world-building effort. I’ll just mention that there is also a fairly extensive fictional Florida I have created for my mainstream fiction; that required a sort of world-building of its own. My first novel, the YA ‘The Middle of Nowhere,’ is set in that Florida, as are my Cully Beach novels and a number of short stories.

But back to the fantasy. My first fantasy novel, ‘The Song of the Sword,’ was set in the world I had been building so long. More followed, three to finish the Donzalo’s Destiny sequence, those six novels that derived from the shipwreck scenario, and three more that fit into the millennia that lie between the two series. Loads more are planned, of course!

And ultimately, they do all go back to those two imagined worlds of a kid. I do have ideas for some more mainstream stories, down the line, that borrow a little from my fantasy universe, as well. There were certain ideas that either didn’t quite fit or would never be developed in a fantasy direction, but could work in our own world. I have lifted a certain character bodily out of the one world and set him in the other, to live a life as a spy and adventurer, through the history of the Twentieth Century. Still developing things, there.

None of this precludes creating and building new worlds. Not fantasy, almost certainly, but science fiction, as well as historical fiction. Or anything, really. And maybe I’ll borrow and cannibalize from older stuff or maybe build it all new. But it does all start with my bed serving as a lifeboat, heading off to an unknown land of fierce warriors and beautiful women. I’m thankful I finally reached it.

Friday, December 22, 2017

Woman of the Sky Completed

Writing and rewriting is complete on my third and final Mora novel, 'Woman of the Sky.' There should only be line edits and proofreading from this point as we work toward a release sometime in the spring.

As its predecessors in the Mora and Malvern series, it followed a bit of a formula, my aim being to produce a fantasy adventure in four parts, and around sixty chapters and 60,000 words. I have done pretty much that five times before and this one came out about the same — sixty chapters, 64,000 words. I pretty much know how much space it takes me to tell a story. Or maybe I know how much story fits a given space!

The supporting character of Rahiniti has been a presence through the arc of the Mora Trilogy (it really is a trilogy now), a thread that linked the stories. Now she takes center stage and tells her own story. I readily admit that this book has less action than the others. Rahiniti is not any sort of warrior; she is a dancer, a small woman, who does not take part in battles! But plenty happens, never fear. Here's the blurb, more-or-less as it will appear on the cover and elsewhere:

A long journey it had been for Rahiniti. Born a Kohari peasant, trained from childhood as a dancer in the great Temple of Mihasa, she had followed the Mora warrior Hito over the mountains to a new life, a life as a noblewoman, adopted by the powerful Lord Temani'itu.

A life that turns on to a new journey when her friend Demba passes, leaving a grieving husband and a young daughter with hidden powers. There are those who mean harm to Lord Gordie, who hope to manipulate him to further their own ambitions. How can one small 'woman of the sky' oppose them?

The journey that began in 'God of Rain' and continued through 'Arrows of Heaven' comes at last to a conclusion here, as Rahiniti finds her true place in the realm of the Mora, in the third and final novel of the Mora Trilogy, 'Woman of the Sky,' by Stephen Brooke.

Wednesday, December 13, 2017

Misadventures in Computing

Within a couple weeks I had not one, but two, of my desktop PCs crash badly. First, my office computer, a not particularly powerful machine that I sometimes wrote on, and often used for editing and design work, as well as being my primary internet computer. Eventually I was able to get it up and running but in the process lost every file on it — some backed up recently, some not. So it goes.

As long as I needed to reinstall the operating system, I decided to switch it over to Linux and installed Ubuntu. Now, it will be my primary computer for online use, and for light office duties. Not so much in the cold of winter when I tend to hide in my bedroom and work on the laptop! It is sitting in the art studio area now and should remain there.

And I did replace it in the office with a faster and more powerful computer which is far more satisfactory for working with graphics (music, too). Bought as a refurb, which I think is the smart way to go for someone like me. But what do I know? :)

So — shortly after, I go into the music room/recording space, which I had neglected somewhat over the past year, and the dedicated music computer is quite defunct. Tried every possible solution but I am afraid it is not coming back. Now this was not a new PC but it meshed with my equipment. 32 bit, running Vista, with loads of good in and out solutions (digital) and Firewire. I am afraid this makes my old interfaces obsolete. Much of the equipment will not work with 64 bit architecture and/or Windows 10 and, of course, Firewire is pretty much a thing of the past.

I did crank up my even older, retired music computer, running Windows XP, and it worked as well as ever. I’ll use it for a while. It does provide a Firewire port but not enough computing power to run the M-Audio Lightbridge that was largely the center of my setup. So that particular piece of equipment is now pretty much a doorstop. Some USB-based stuff will still work on that machine (but not on the newer ones).

The fact is, the new office computer would do a better job and I may mix on it; I don’t go into the music room much in the coldest part of winter anyway. Sometime toward Spring I shall have to think about a replacement computer and probably a new interface setup. All I use on the newer machines right now are simple stereo USB devices (small mixers, actually) that will work on anything without special drivers. In truth, that is all I need most of the time. So I’ll be thinking about it, watching for deals, etc. It’s likely I’ll stick with Windows for recording, and use my copy of Adobe Audition 3 as long as it will work! But there, too, I’ll need to move on eventually.

In other news: I am somewhere around 85% finished with the narrative on the next novel, ‘Woman of the Sky.’ I say ‘narrative’ rather than first draft because I am constantly rewriting as I go so there is no real second draft. Just editing, proofing, designing.

And ‘The Ways of Wizardry’ is still set for a January 6 official release, but it can be purchased right now at the Arachis Press store. A lot of the publishing stuff got delayed thanks to the computer problems but we’re back on track — until the next problem, of course.

Wednesday, December 06, 2017

Hell is Naked Review

Review of the novel HELL IS NAKED, by Jean James and Mary James
Woodrock House 2017 — Print ISBN 978-0-984605-6-2

This is essentially the short review I might eventually post on GoodReads and Amazon.

As ever, an admission up front that the authors are relatives. Mary James is my niece, and the musical artist known as Mean Mary.

“Hell is Naked” is a fast-paced crime novel set in the world of the Los Angeles film industry — as seen from the vantage of extras, rather than stars. It seems authentic in its portrayal (both authors have worked as extras) of that setting.

Also authentic is the portrayal of the central protagonist, retired cop Warren Roberts, now working as a private investigator. His SWAT background is drawn from life (another family member). Roberts is in LA looking for a missing girl — ostensibly for her father. We can all guess that things are not going to be that simple!

And we can guess that all hell breaks out pretty quickly (whether it is naked, I couldn’t say). Plenty of action, in the city, in the desert hills and the Pacific waters around it, follows, with a sprinkling of comic relief. Much of that is provided by our protagonist himself. The plot holds together well, events pushing it forward, as our characters attempt to solve the underlying mystery as they run.

Well-written, readable, good characterizations, decent dialog, and a compelling plot. Recommended.

“Hell is Naked” is officially out on December 12

Woodrock House
13097 Highway 45 N.
Finger, TN 38334

Friday, November 17, 2017

A Choice of Narrators

I faced a dilemma when I began plotting WOMAN OF THE SKY: I had two major characters and was uncertain which to have as narrator of the story. There was Gordie, young castaway turned trader turned king-in-all-but-name, and there was Rahiniti, Kohari dancer adopted into Mora society. Rahiniti has been a unifying character of the Mora Trilogy, but this third and last novel is the one where she steps to center stage.

If Gordie were the main protagonist and first-person narrator, I could go with more direct action and adventure. Yes, the fact that he is male plays a part, but also Rahiniti is simply not the sort to get involved in that sort of thing. She is not trained as a fighter, would not have any reason to be on a battlefield. The female protagonist of the previous novel, ARROWS OF HEAVEN, was a fighter and took part in more than bit of action.

However, Gordie is simply not a very interesting guy to have telling the tale. There is tragedy in his life and he feels the pain of loss, but he is not introspective. He makes his choices and moves on. Rahiniti, on the other hand, has a rich inner life and plenty of thoughts to share. Moreover, she is in a better position to comment on what has gone before, as Gordie was never a part of what went on in the Mora nation, having his own interests well to the north.

So I went with Rahiniti and some major events have to be told third person, rather than directly, by messengers, by friends. We are with Gordie at neither of the naval battles that take place in the first half of the book and must rely on second-hand accounts. Those bits of action in which Rahiniti has a part — kidnapping and assassination attempts, and the like, she observes more than having an active role. If the book sometimes seems closer to a ‘relationship’ novel than a fantasy adventure, so be it.

There is no point in second-guessing these things. I made my choice and moved on, and am not even tempted to change. Currently, I am about two-thirds through the narrative, and expect to finish without any problems — I know where the story is going. Worked that out well ahead of time!